Live Streamed Services
Archive
- December 2025
- November 2025
- October 2025
- September 2025
- August 2025
- July 2025
- June 2025
- May 2025
- April 2025
- March 2025
- February 2025
- January 2025
- December 2024
- November 2024
- October 2024
- September 2024
- August 2024
- July 2024
- June 2024
- May 2024
- April 2024
- March 2024
- February 2024
- January 2024
- December 2023
- November 2023
- October 2023
- September 2023
- August 2023
- July 2023
- June 2023
- May 2023
- April 2023
- March 2023
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- July 2022
- June 2022
- May 2022
- April 2022
- March 2022
- February 2022
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- January 2020
- December 2019
- November 2019
- September 2019
- August 2019
- July 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
An organ recital in progress: part 93
Dear SMM Community,
The next part of my online organ recital is here, and I hope that you enjoy it. I offer up these musical meditations as part of our parish efforts to find ways to keep you connected at this time. Recorded on my house organ, today's instrument is a musical facsimile of the Kuhn organ at the Philharmonie in Essen.
Today, I present Jan Pieterszoon Sweelinck's Ballo del Granduca.
The Dutch composer Jan Pieterszoon Sweelinck (1562-1621), the ‘Orpheus of Amsterdam’, lived and worked during the transition between the Renaissance and Baroque eras. Famous for his improvisations, the Ballo del Granduca undoubtedly began life as an improvised set of variations, possibly even performed at one of Sweelinck’s daily recitals. At that time in Amsterdam, the organ was not allowed to be played during services; the organist could improvise before or after, but the reformed faith left worship void of musical accompaniment.
With best wishes,
Andrew Adair
Director of Music
An organ recital in progress: part 92
Dear SMM Community,
The next part of my online organ recital is here, and I hope that you enjoy it. I offer up these musical meditations as part of our parish efforts to find ways to keep you connected at this time. Recorded on my house organ, the instrument is a musical facsimile of the great 'Father' Willis organ at Salisbury Cathedral.
Today, I present Robert Schumann's Fugue on B.A.C.H.
Robert Schumann (1810-1856) took almost a year to complete his Six fugues on B.A.C.H. (this fugue being the third in the set). After completion in November 1845, Schumann declared the set to be “the work which, I believe, will longest outlive my others”.
With best wishes,
Andrew Adair
Director of Music
An organ recital in progress: part 91
Dear SMM Community,
The next part of my online organ recital is here, and I hope that you enjoy it. I offer up these musical meditations as part of our parish efforts to find ways to keep you connected at this time. Recorded on my house organ, the instrument is a musical facsimile of the great 'Father' Willis organ at Salisbury Cathedral.
Today, I present Sverre Eftestøl's Ljod.
Ljod (Sound) is the first of the Seven allegorical pictures based upon the Norwegian folk tune Kling no, klokka by Sverre Eftestøl (born 1952). The set is dedicated to the concert organist Christopher Herrick. The Norwegian folk tune Kling no, klokka (Sound the bell) comes from the Oppdal region, though a variant of the tune can be traced back to Halle from 1705 or 1708. Eftestøl studied piano and organ in Kristiansand and Oslo, and composition with George Crumb and Mauricio Kagel in Salzburg.
Artwork credit: Debbie Walker
With best wishes,
Andrew Adair
Director of Music